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Oops - please ignore everything underneath this line: we've created a new web-site at www.vmmf.org and have moved all correct information over to that site. Sorry for the inconvenience!
Vermont Millennium FestivalFriday, September 15 - Monday, September 18, 2000Various locations in Montpelier, Vermont Music from the year 1000 to the year 2000 | ||
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If you would like to skip down to the preliminary Festival Schedule, click here. We'd be happy to mail you our brochure -- just e-mail us with your mailing address. | |
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Immediately below on this page: a general description of the festival. We're updating this page frequently. Please check back from time to time to see how we're progressing. Latest update: April 20, 2000. The ConceptA week-long festival surveying some of the greatest music of the past 1000 years. Pieces will be presented chronologically over the course of the festival, starting with music from the year 1000 and ending with compositions from the year 2000 that look towards the future. Those who attend the entire festival will have an unprecedented opportunity to hear "live" within the time-span of a week the evolution of musical styles of a thousand years -- the aural equivalent of the effect of time-lapse photography. The festival aims at this moment at the dawn of a new millennium to reflect and celebrate the effort of a great diversity of artists over the past 1000 years, and to invite the music of the future. Although the central focus of the festival will be Western-based classical music, there will be portions of the festival devoted to other musical genres and other art forms such as poetry, craft-work, the visual arts, and food. We also hope to include at the festival at least two major theatrical music works and musical compositions with dance. In addition to concerts which intriguingly mix solo, vocal, chamber music, choral, orchestral, dance, theater, and multi-media compositions, the Vermont Millennium Festival will present a number of exciting special events, including a re-creation of a day at the University of Paris of the 1200's, an outdoors medieval and renaissance "Faire," an historical instrument exhibition, a madrigal dinner, and many hands-on workshops, exhibits, and lecture-demonstrations featuring cultural achievements of the millennium in all the arts. The festival will be presented utilizing over a dozen performance spaces all around the city of Montpelier, Vermont, America's most intimate and walkable capital city. Visitors from outside the region will enjoy exploring some of the attractive and historic buildings of Montpelier as the festival moves around town, and in road-trips to take in the visual beauty of Vermont's autumn foliage display. Performers will include a mix of Vermont talent with invited guest artists from Canada and other parts of the United States. Come join us next September for an amazing time-travel journey. Save the dates, save your vacation time -- we know you'll want to experience one thousand years of music! The Origin of the FestivalThe festival was the brainchild of Catherine Broucek Orr, a local conductor active here in Montpelier, Vermont. Many of the more interesting ideas for events at the festival were the result of working sessions she had throughout the summer of 1998 with Michael Arnowitt, a Montpelier concert pianist. Michael then went on to research the music of the past 1000 years, educating himself about different historical periods. For the festival program, he's come up with what we think you'll find an extremely exciting brew of wonderful solo, chamber, choral, and orchestral music which will be imaginatively intermixed even within individual programs as we proceed through the festival on our chronlogical journey. These selected pieces of music deeply reveal what our culture has produced over the past thousand years. It's going to be a great festival! Special FeaturesHere are some of the more interesting ideas for special events at the festival -- these are in addition to the many music concerts that naturally make up the core of festival activity. Your ideas and suggestions are certainly solicited.
Sponsus -- late 1000's The Play of Daniel -- early 1200's An excerpt performed by Vermont Opera Theater of a brand-new opera, A Fleeting Animal: An Opera from "Judevine," composed by Erik Nielsen with libretto by David Budbill. Budbill's "Judevine" is widely regarded as the most important play by a Vermont author of the last twenty years. And excerpts (unacted) from Orfeo by Monteverdi -- 1607; generally considered the work that established opera as a genre . A major development in 20th century music was composers' interest in dance. We hope to be able to do at least one or two of the following: The Creation of the World -- Darius Milhaud A work, to be determined, by Igor Stravinsky A Bauhaus piece from the 1930's Appalachian Spring -- Aaron Copland Dance sequences from West Side Story -- Leonard Bernstein Prelude to the Afternoon of a Faun -- Claude Debussy Where and WhenThe festival is scheduled from Friday, September 15 to Sunday, September 24 of the year 2000, ten days spanning two weekends and the week in-between. The timing is hoped to coincide with the beginning of foliage season while still permitting weather warm enough for a few outdoors events. Out-of-state visitors may wish to take a morning road-trip to Vermont's famous Northeast Kingdom to view the natural beauty of the foliage display, then return to Montpelier for afternoon and evening concerts. Montpelier, Vermont is our nation's most intimate capital city, blessed with a number of beautiful and historic buildings. We aim to present the festival "First Night" style, so events will take place throughout the town, utilizing a great diversity of venues -- hopefully matching the type of music presented with the architecture and the feel of the space. Here are some of the performance sites:
Can I Help?Most definitely! Help from the community and beyond will be essential to the success of the festival. Our Volunteer Coordinator is Barbara Buckley. If you would like to help with the organization of the festival, or serve as a volunteer in any capacity, please contact her at 802-223-6242. Other Contact InformationOur Director of Development is Elizabeth Rohrer. If you would like information on matters such as how to make a tax-deductible contribution to the festival, or how to become a sponsor (individual or corporate) of a particular concert or event at the festival, please contact her at 802-223-8951. Our Artistic Director is Michael Arnowitt. You can reach him at 802-229-0984 for media interviews, if you are interested in performing at the festival, or if you have general inquiries or questions regarding the artistic content of the festival. If you are interested in attending the festival and would like to be mailed information about it, please contact: Vermont Millennium FestivalP.O. Box 833 Montpelier, Vermont 05601 802-229-0984 arnowitt@sover.net | ||
Music and Performers of the FestivalHere's the preliminary schedule for the festival:The festival's Historical Instrument Exhibition will be open from Friday, Sept. 15 through Friday, Sept. 22 in the Wood Room of the Wood Art Gallery on the Vermont College campus, during the gallery's regular hours, 12 - 4 pm Tuesday through Sunday (closed Mondays). Curated.by Phil Robertson If you have an interesting instrument, either of historical times or a novel new instrument, that you would be willing to exhibit, please contact us. It's also possible for instrument builders to sell instruments at the exhibition. An exhibit on the history of printing through the millennium will be on display at the Kellogg-Hubbard Library (built 1896) throughout September. |
| Friday evening, Sept. 15 - Opening Night site: Vermont College chapel, 8 pm | |
1000 |
Procession Chant - Ave maris stella, Pange lingua, others Earliest notated 2-part music (organa from France) Sponsus (late 1000’s) - a short non-liturgical drama (in Latin & Provençal) |
1100 |
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Hildegard |
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Hildegard - selections from the Symphonia (1140’s); O quam mirabilis est, Vos flores rosarum, O clarissima mater performed by members of Anima Notre Dame school (c. 1163-1200): Léonin - selections from the Magnus liber Pérotin - first 3, 4-part compositions c. 1200 Viderunt omnes Anonymous - Veni creator spiritus Congaudet hodie (Catalan, 1100’s) | ||
1200 |
Theater - The Play of Daniel (early 1200’s) Saturday, Sept. 16 Special event: Re-creation of a day at the University of Paris in the 1200’s site: Unitarian Church of Montpelier, 9 am - 6 pm the monastery: chant every three hours throughout the day different activities of the scholar-monks will be taking place in various small rooms of the church exhibits/demonstrations of other medieval artistic achievements such as illuminated manuscripts, stained-glass making, poetry Saturday and Sunday, Sept. 16-17 Of the pieces of music noted below from this time period, the sacred music will be performed in Saturday and Sunday afternoon concerts at various indoor locations tbd, and in Saturday and Sunday evening concerts at 8 pm at the Vermont College chapel. Meanwhile, secular music will be presented throughout the weekend as part of our outdoor "Faire." Special event: Medieval & Renaissance “Faire”site tbd (probably State House Lawn; rain back-up location, Pyralisk Arts Center) Saturday, 12 noon - 4 pm. A fair scene from the Middle Ages. Sunday, 12 noon - 4 pm. A Renaissance fair. (The aim of the "Faire" is not historical re-creation, but to give a sense of the activities and cultural endeavors of these two time periods, and to provide a fun time for people of all ages. What will be going on at the Faire? *pageantry, swordplay, juggling, fools, game-playing *Renaissance dance (performances and workshops) *craft demonstrations: weaving, textiles, blacksmith *historical dress and food demonstrations *Morris dancing *Commedia dell'arte *presentation on development of printing (first book printed in Europe, c. 1445) *presentation on Nostradamus (1503-1566) and his prophecies *poetry readings - Carmina Burana (c. 1220), Chaucer (late 1300’s), etc. *bagpipes (performed by Steven Light) secular music to be performed at the Faire Troubadour music - 12th & 13th centuries Sumer is icumen in (c. 1250) Hocket - first purely instrumental multi-part music, 13th and 14th centuries Laude - Italian non-liturgical religious songs, 1200-1600; sung on feast days Cantigas de Santa Maria (1252-1284) - Galician/Portuguese songs Cantiga 56 - Gran dereit'é, Cantiga 90 - Sola fusti senlleira Cantiga 100 - Santa Maria, strela do dia Cantiga 250 - Por nos Virgen Madre, Cantiga 320 - Santa Maria leva Music of Adam de la Halle, c. 1230-1300; Je muir, other pieces Music from the Montpellier Codex (13th century manuscript from the French city for which Montpelier, Vermont was named) | |
1300 | Ars nova (early 1300s) excerpts from Le Roman de Fauvel (1316) Philippe de Vitry - Impudenter circumivi, Cum statua Guillaume de Machaut (1300-1377) - ballades and rondeaux (art song) Ars subtilior music from the Chantilly Codex (1370-1395) - music for voice, lute, vielles Joseph, liber nefe min (German, 14th century) Songs by Ostwald von Walkenstein (1376-1443) Some of the performers of the above music: Anima Early Music Vermont Fyre and Lightning Consort Katy Taylor (voice and hurdy-gurdy) Christ Church, Saturday afternoon events to include: Hildegard: slide presentation and performance by Katy Taylor more to be determined Special performance, Saturday evening Guillaume de Machaut - mid 1300s - Messe de Nostre Dame; perhaps the most famous piece of the Middle Ages. We will perform this piece with four solo male singers (see below for full information on this concert at the Vermont College chapel). | |
1400 |
Early Renaissance Sephardic music performed by the Fyre and Lightning Consort Other secular music for recorder, lute, guitar Gilles Binchois (c. 1400-1460) Rondeau "De plus en plus" Selections from the Glogaues Liederbuch (German, 1460’s) Sacred music concert, Saturday evening site: Vermont College Chapel, 8 pm Guillaume de Machaut - Messe de Nostre Dame, performed with four solo singers Guillaume Dufay (c.1400-1474) - Missa L’homme armé (groundbreaking work setting chant to harmony) Johannes Ockeghem (c.1410-1497) - Offertorium from Requiem, Agnus Dei from Missa "De plus en plus" Josquin Desprez (c.1440-1521) - Absalon Fili Mi for male chorus, Missa Pange Lingua Jacob Obrecht (c. 1450-1505) Missa "sub tuum presidium confugimus" (3-7 parts. the number of parts increase in each successive movement of the mass) performed by the Festival Chamber Chorus Sunday afternoon short concert at the Kellogg-Hubbard Library, tbd | |
1500 |
Larger works of the later Renaissance, Sunday evening site: Vermont College Chapel, 8 pm Thomas Tallis (c. 1505-1585) Spem in alium for 40 voices, divided into 8 quintets; performed by Onion River Chorus with assistance from Friends of Music at Guilford and other choirs Robert Carver (c. 1484-1568 or later) Scottish polyphonic composer, Mass "Dum Sacrum Mysterium" for 10 voices performed by the Festival Chamber Chorus William Byrd (1543-1623) - Motet "Beata virgo" and Sanctus, Benedictus, and Agnus Dei from Mass for five voices, plus selections from My Ladye Nevells Booke (keyboard music) Orlande de Lassus (1532-1594) - motets and other pieces Tomas Luis de Victoria (1548-1611) Motet “O Magnum Mysterium” (~1572) Giovanni Pierluigi da Palestrina (1525-1594) - Missa Brevis (1570) | |
| < | Monday, Sept. 18 Special event: Madrigal Dinner site: Old Labor Hall, Barre, 5:30 pm English madrigals from Oxford Book of Madrigals French madrigals (rather folk-music influenced) Italian - some “normal,” (Gabrieli, Monteverdi, etc.), some by Carlo Gesualdo (c. 1561-1613) very Twilight-Zone fare Giovanni Gabrieli - wrote a madrigal to celebrate the new century (1600) historical meal drinking songs some instrumental interludes for contrast | |
1600 |
Excerpts (unacted) from Monteverdi's opera - L’Orfeo, 1607 site: Barre Opera House, 8 pm Orfeo is generally regarded as the first “real” opera, the work that established opera as a genre special late-night concert: site tbd Carlo Gesualdo - Tenebrae responsoria - 1611 performed with just candlelight Tuesday, Sept. 19 site: State House - well of House, Senate chambers, other rooms 12 noon concert Giovanni Gabrieli (c. 1553-1612) brass antiphonal music (Sonata pian e forte, Canzona in the 7th Tone for 8 Parts, Canzona in the 9th Tone for 12 Parts; other possible brass music: Pietro Lappi - Canzon “La Seraphina,” (1616), Richard Dering (English, 1580-1630), Pavan Gregorio Allegri - Miserere, for 5-part choir and an ornamenting 4-part “choir” of soloists (music composed c. 1630-1650) performed by the Festival Chamber Chorus Michael Praetorius - (1571-1621) - Lo, How A Rose E'er Blooming John Dowland - Lachrimae (1604) for 5 viols & lute, song - In darkness let mee dwell (1610) Jan Pieterszoon Sweelinck (1562-1621) Mein junges Leben hat ein End’, performed on clavichord Matthew Locke - music for recorder & harpsichord, mid-1600’s England |
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1700 |
J.S. Bach - 15 2-Part Inventions (1723), performed by 15 different students Domenico Scarlatti - selected sonatas for keyboard (1730’s to 1750’s) Sebastian de Albero (1722-1756) - Recercata, Fuga y Sonata en sol for harpsichord PDQ Bach (for a surprise) - Iphigenia in Brooklyn (cantata) 2:30 pm Simultaneous small events in different rooms; these segments performed twice
Bach’s Greatest Organ Hits - Prelude and Fugue in E-flat “St. Anne,” Passacaglia, Toccata and Fugue in D minor, Fantasia and Fugue in G minor, a chorale prelude, “Little” Fugue in G minor, excerpt from The Art of the Fugue Evening - at the State House (well of the House) Evening Concert I - 7 pm J.S. Bach - Suite no. 6 in D major for cello solo (1720) performed by Linda Galvan, cello Heinrich Schutz - selections from Symphoniae Sacrae III (1650) vocal concerti with soloists, chorus, and small orchestra Bach - Concerto in D minor for 2 violins performed by the Vermont Youth Orchestra, Troy Peters conductor, with youth soloists tba Bach - Chaconne, violin solo (1723) Evening Concert II - 8:30 pm Vivaldi - The Four Seasons - before 1725 performed by the Montpelier Chamber Orchestra Society, Catherine Broucek Orr, conductor Wednesday, Sept. 20 morning Special event: “Brandenburg Breakfast” site tbd A court breakfast, with some of the greatest music of the millennium, Bach's Brandenburg Concertos no. 2 and 4 (1717-1721) | |
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Classical period and early romantic music Chamber music in 3 shorter concerts -- roughly one hour each sites: Unitarian Church of Montpelier and others around town tba 1 pm Mozart - string quintet in G minor, K. 516 Beethoven - piano sonata no. 32 in C minor, op. 111 2:15 pm Beethoven a late string quartet; either op. 130 in B-flat with the Grosse Fuge or op. 131 in C# minor Schubert - Adagio from the string quintet in C 3:30 pm Mendelssohn - Octet Schumann - Dichterliebe (song cycle) Evening concerts: Barre Opera House Orchestra Concert I - 7 pm Beethoven - Leonore Overture Mozart - Piano Concerto in A major, K. 488 Diane Huling, piano soloist Mozart -Symphony no. 40 in G minor Haydn - Finale to “Farewell” Symphony 
Orchestra Concert II - 8:30 pm Beethoven - Symphony no. 3, “Eroica” Thursday, Sept. 21 morning - Open rehearsals (public may watch) 12 pm - Wood Art GalleryBR> Schubert - Moments musicaux performed by Paul Orgel, piano 1 pm - Wood Art Gallery Special event: Poetry Through the Millennium; survey of international poetry 3 pm - Bethany Church Middle Romantic Period | |
1836 |
Chopin - Prelude in Ab major (1836-39), Scherzo no. 2 in Bb minor (1837), Ballade no. 3 in Ab major (1840-41) -- performed by Alison Cerutti, Ballade no. 4 in F minor (1842) chamber music work tbd Berlioz - Les nuits d'ete for solo singers and orchestra (1840-41), excerpts 7:30 pm - Smilie Auditorium Romanticism’s Twilight Years Wagner - Prelude and Liebestod from Tristan und Isolde (1857-59) Liszt - Waltz from Guonod's Faust Concert Paraphrase, and selected Transcendental Études performed by Jeffrey Chappell, piano Grieg - In the Hall of the Mountain King (1875), and Tchaikovsky - Romeo and Juliet Overture-Fantasy (1869-1880) performed by the Vermont Youth Orchestra, Troy Peters, conductor Debussy - Reflets dans l’eau for piano (1905) Brahms - 1st movement of Clarinet Quintet for clarinet and string quartet, op. 115 (1891) Ravel - Ondine for solo piano, from Gaspard de la nuit (1908) performed by Paula Ennis-Dwyer Mahler - last movement (Adagio) of Symphony no. 9, (1908-1909), Mahler’s “farewell” piece. Performed by the Festival Orchestra. Friday, Sept. 22 morning Lecture-demonstrations on music coming up Lecture-demonstration on the history of consonance and dissonance through the millennium afternoon concerts site: the new Pyralisk Arts Center 1 pm - New Century, New Directions Ives - The Unanswered Question - string orchestra + trumpet solo (1906) Debussy - Syrinx for solo flute (1913) Schoenberg - Pierrot Lunaire, op. 21 (1912) for soprano, flute, clarinet, violin, viola, cello, and piano; introduction of “Sprechstimme” Mahler - excerpts from Das Lied von der Erde (1908) 3 pm - The Roaring Twenties (& Thirties) - Cabarets, The Rise of Rhythm, and Further Exploration of the New Ideas in the Inter-war Years Bartok - String Quartet no. 4 (1928) Kurt Weill - Selected songs from The Threepenny Opera (1928) Anton Webern - 12-tone piece to be determined Kurt Schwitters - Ur-Sonate, 1st movement - Dadaist piece for solo voice performed by Dennis Báthory-Kitsz Gershwin - Selected songs from “Porgy and Bess” (1935) Bartok - Music for Strings, Percussion, and Celesta (1936), a classic of 20th century music performed by the Festival Orchestra 7:30 pm - The Importance of Dance, ballets with live music site: Smilie Auditorium This program is still very much in the planning stages. Some of the following pieces are being considered; we will probably do two of the below compositions: Debussy - Prelude to the Afternoon of a Faun Igor Stravinsky - ballet to be determined (possibly just piano reduction) Darius Milhaud - La Création du Monde (1923) A Bauhaus ballet from the 1930's Aaron Copland - Appalachian Spring (1943-1944) Leonard Bernstein - dance sequences from West Side Story Live tango dancing (?) Saturday, Sept. 23 On display, Saturday and Sunday at the New Pyralisk Arts Center: interactive CDs you can try out exhibits on the physics of sound exhibits of new instruments Simultaneous performances | |
| New Pyralisk Arts Center 10 am - The Joy of Jazz [note: this program to be moved to Fri. night after the dance program] African origins Scott Joplin - Maple Leaf Rag New Orleans traditional jazz Delta blues Darius Milhaud - La Création du Monde, 1923 ballet combining classical and jazz Gershwin - Rhapsody in Blue (Paul Whiteman jazz band version, 1924) Dan Bruce, piano soloist Duke Ellington, Billy Strayhorn - various, 1930’s and 1940’s Transcription of Art Tatum piano solos, performed by Michael Arnowitt music of Thelonious Monk and Charlie Mingus More recent jazz and jazz that looks toward the future performers to include the Vermont Jazz Ensemble, the Dan Bruce Jazztet, and more |
Smilie Auditorium 10 am - Children’s Concert Winnie-the-Pooh stories read to accompaniment of Erik Satie piano pieces arranged for a small group of instruments and performed by students Edsel Hughes, narrator Bartok - excerpts from Mikrokosmos, performed by local students Sofia Gubaidulina - Fairy-Tale Poem, “The Little Chalk,” (1971) Prokofiev - Peter and the Wolf (1936) with Edsel Hughes, narrator | |
| 1 pm Presentation on humor in music, drawing on pieces from many different periods Composers to be included: Telemann, Haydn, Purcell, Vivaldi, Mozart, Beethoven, Rossini, Flanders & Swann, Spike Jones, and David Gunn |
1 pm World War II, The Central Event of the Century Messiaen - Quartet for the End of Time (1940), performed by the Vermont Contemporary Music Ensemble Strauss - Metamorphosen for 23 solo strings (1945). Very moving piece. Schoenberg - A Survivor from Warsaw (1947) for narrator, male chorus at end, and orchestra Penderecki - Threnody for the Victims of Hiroshima (1959-61) for 52 strings the last three pieces to be performed by the Festival Orchestra Prokofiev - “Precipitato,” finale to Piano Sonata no. 7 (1939-42) performed by Michael Arnowitt | |
| 3 pm Birdsong in classical music: presentation with music, slides of birds, and commentary | 3pm After the War: Composers Go “Over the Top” / Explosion of Experimentation, Eastern Influences, and The Birth of Electronic Music John Cage - 3 Dances for two prepared, amplified pianos (1944-45) Edgard Varèse - Déserts (1950-54) - for 14 winds, piano, 5 percussion, and tape based on recorded sounds of factories, foundries, and sawmills in Philadelphia Stockhausen - Klavierstuck XI (1956) - aleatoric [some elements of piece determined by chance] Charles Wuorinen - Bearbeitungen uber das Glogaues Liederbuch (1477-88; 1962) arrangements of early music in a 20th century style for flute, clarinet violin, and bass John Cage - 4'33" (1952) Morton Feldman - piece to be determined either Structures for string quartet (1951) or The King of Denmark (1964) for solo percussion Conlon Nancarrow - Studies for player piano (play recordings) Gyorgy Ligeti - Lux aeterna, for 16 singers (1966); was in movie" 2001" Luciano Berio - Sequenza III for solo voice (1965) | |
| evening Concert of traditional world music Bulgarian music Indian music British Isles ballads, mouth music, and sea shanties Gamelan Romany Taiko drumming Sub-Saharan African (Cameroon, Uganda, Central African Republic) Andean flute music |
evening Performance of part of a new opera by Erik Nielsen and David Budbill based on characters from “Judevine” (production being toured by Vermont Opera Theater) Settling In After the Turbulent '60s - Masterpieces of Our Own Time Gyorgy Ligeti - selected Piano Etudes, Books I and II (1985-1994) performed by Michael Arnowitt, piano Arvo Part - The Woman with the Alabaster Box (1997), for chorus Lou Harrison - Concerto for Piano and Gamelan |
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Sunday, Sept. 24 10:30 am - location to be determined (house downtown) Stockhausen - Musik fur ein Haus - 1968; different pieces of music are performed simultaneously in various rooms of the house, which the audience strolls through afternoon - three different locations, events go on simultaneously |
| Pyralisk Arts Center 1 pm Workshop on special hybrid acoustic-electronic instruments |
Smilie Auditorium 1 pm Pierre Boulez - Domaines (1968) - for solo clarinet and 21 instruments; a spatial piece, clarinet moves around six instrumental groups |
site tbd 1 pm Tour of American pop music through the 20th century (recordings) - host tbd |
| 2pm Workshop on digital editing |
2 pm Ben Johnston - Amazing Grace (1973), for string quartet George Crumb - Ancient Voices of Children (1970), for soprano, oboe, mandolin, piano, and percussion; based on poetry of Federico García Lorca Sofia Gubaidulina - Quartet no. 4 (1993) for string quartet and tape Kevin Volans - She Who Sleeps With A Small Blanket, for solo percussion; performed by Beverley Johnston |
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| 3 pm Workshop on new acoustic instrumental techniques (flute, clarinet - Jerry McBride, piano, trombone, voice) |
3:30 pm Music from the year 2000 |
3 pm Showcase of Music by Vermont Composers Edwin Lawrence - Five Songs (on Middle English texts) Woodwind pieces (tbd) Louis Moyse - work tbd performed by Karen Kevra, flute and Paul Orgel, piano more, to be determined |
| 4:30 pm Steve Reich - Music for 18 Musicians |
4:30 pm Keith Jarrett's Jan. 24, 1975 Köln Concert solo piano improvisation performed by Jeffrey Chappell |
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-- dinner break -- Closing Night concert - Smilie Auditorium 7:30 pm - Final Concert Bread and Puppet Theater A humorous song for the new millennium Sampler of short pieces selected from the festival, arranged chronologically, plus one new multimedia piece (music with film, sculpture, or other art form) Recession |